Category Archives: Reviews

DVD Review: Babar: The Classic Series – The Complete First Season

Warm milk. A bath in lavender soap. An old episode of the ‘80s TV adaptation of Babar. These are the three things that every parent knows can relax and put to sleep even the fussiest of toddlers. Glory be, as Nelvana’s Babar, long a mainstay of VHS, the early morning hours of family-friendly cable channels, and on-demand services, is now available on DVD in full-season collections.

Originally airing on HBO, Babar: The Classic Series is the finest of many adaptations of Jean de Brunhof’s long-running, 80-year-old picture book series about Babar, the elephant made king by introducing civilization to his brethren. And while the books feature a now dated and mystifying undercurrent of imperialism and taming the “otherness,” the series is nothing but sweet and gentle, quiet and happy. Perhaps it’s the crisp, soothing tenor of William Daniels (the voice of KITT from Knight Rider, Mr. Feeney on Boy Meets World), or that twinkling piano theme song that sets the tone for Babar’s adventures that explore morality, understanding others, and just trying to be a good person (or elephant), who no matter who you are.

As a bonus, the whole thing has been re-mastered, so it’s far more lush and less scratchy looking than I remember, yet still retaining that simple, hand-drawn, thick-outlined storybook quality. Babar: The Classic Series: Season 1 offers 13 episodes on two discs, and you can even watch it in French, which is, of course, the native language of Babar, the elephant king.

 

Okee Dokee Brothers, "Can You Canoe?"

Album Review: The Okee Dokee Brothers, ‘Can You Canoe?’

Okee Dokee Brothers, "Can You Canoe?"

All About the Okee Dokee Brothers: Folk and bluegrass music for kids is nothing new — sometimes quite literally, with the same hoary covers taking up space on countless records from Burl Ives to the present day. Joe Mailander and Justin Lansing, a.k.a. the Okee Dokee Brothers, offer an exception to the rule: traditional instrumentation and tight harmonies blend artfully with sharp original arrangements and lyrics that swing gently from tender to funny and back again.

What They Sound Like Put together a guitar, a banjo, and some brotherly harmony, and you’ve got the idea — although the Okee Dokees understand the value of a little production, too (more on that in a minute).

Album Highlights Folk artists have had to walk a tricky line in the recording age, trying to balance between presenting an honest account of their performing gifts while making room for enough audio sweetening to keep listeners interested at home, and the Okee Dokee Brothers are no different; on previous albums, they’ve struggled to deliver recordings that sounded raw while still boasting full-bodied arrangements. They hit the target square on the bullseye with Can You Canoe?, which offers the best of all worlds — the production (by the inestimable Dean Jones) is actually pretty involved, but it leaves plenty of room for the songs to breathe, creating the illusion of a campfire performance that somehow includes a cast of dozens (and a tuba, and an upright bass, and a few fiddles, and a couple of accordions, and…)

All of which would be little more than pleasant if it weren’t for the songs themselves — which are, to a number, outstanding. Unlike a lot of trad-focused performers, the Okee Dokees have always been songwriters first, and one of the pleasures of their discography is listening to them hone their craft — and I don’t think it’s overstating the case at all to say that with Can You Canoe?, Lansing and Mailander make a persuasive case for themselves as two of kindie’s best songwriters.

There just aren’t any bad songs here — and what’s more, the Okee Dokees manage to seamlessly weave and interpolate their original ideas with elements of traditional songs, all of which hold up solidly against covers of unimpeachable standards like “Haul Away Joe” (featuring Garth Hudson) and “King Kong Kitchie Kitchie Ki-Me-O.” It’s an aspect of the album that I think a lot of people probably won’t hear, but it might be the most important one; it reflects Lansing and Mailander’s respect for their musical roots as well as their confidence in their own maturing gifts.

Suggestions for Improvement Beats me. No clue. Best of luck trying to top this one, guys.

Target Age Group Everyone

Final Verdict Can You Canoe? had a lot to live up to. As we discussed with the Okee Dokees in last year’s interview, the album came out of a monthlong canoe trip down the Mississippi River that took Lansing and Mailander from Minnesota to St. Louis — a beautiful idea with amazing potential, but one that might have seemed like sort of a waste for the audience if it hadn’t produced an album that holds up to repeat listens. Well, it doesn’t: It demands them. Just ask anyone who lives in my house — I’ve had it in heavy rotation right alongside the kids.

Like the Mississippi, Can You Canoe? has a generally calm surface — including some of the loveliest ballads you’re likely to hear all year — but it also holds a lot of depth. This is a record about kindness, patience, friendship, brotherhood, travel, respect for the natural world, and a whole lot more — all big concepts for a little 38-minute collection of songs, but ones that move gracefully below the surface, lending calm, cool resonance to what was already a beautiful journey.

And speaking of the journey, I’d be remiss if I didn’t point out that Can You Canoe? also comes with a DVD that outlines the Okee Dokees’ trip, including a number of funny looks at life on the river, some music videos, and at least one can’t-miss segment featuring a few words to live by from Kenny Salwey, the self-proclaimed Last River Rat. It’s all decidedly homespun, but digital recording has come an awfully long way, and the film benefits greatly from the Okee Dokees’ decision to turn that part of the trip over to director Alex Johnson, who (along with editor Jed Anderson and assistant director Bryan Sieh) captures a lot of natural beauty with a canoe-ready rig.

It all adds up to the album to beat for the best kindie release of the year — a set of songs that should provoke family singalongs and discussions in equal measure. I can’t wait to hear where their journey takes them next.

Album Review: Renee and Jeremy, ‘A Little Love’

All About Renee & Jeremy Apart, they’re Renee Stahl and Jeremy Toback, both veteran recording artists in their own right — Renee has released a pair of solo albums, and Jeremy was a founding member of Brad before moving on to his own solo career and his latest band project, Chop Love Carry Fire. Together, they form what might be kindie’s soothing-est duo: the mellifluous voices behind the Dadnabbit favorites It’s a Big World and C’mon.

What They Sound Like Take one part acoustic instrumentation, add one part heartwarming two-part harmony, and you’ve got the basic ingredients. Simple but effective.

Album Highlights A Little Love is a covers record, so these are all songs you probably know by heart, from AM gold (the Monkees’ “Daydream Believer,” Simon & Garfunkel’s “59th Street Bridge Song”) to classic rock (Supertramp’s “Give a Little Bit,” John Lennon’s “Love,” Queen’s “You’re My Best Friend”), a few surprising choices from the last 25 years (“Shiny Happy People,” Coldplay’s “Yellow” and the Chili Peppers’ “Give It Away”) and even a little sweet soul music (“Put a Little Love in Your Heart”).

Suggestions for Improvement Tough question, because A Little Love is effortless listening, and the track listing moves smoothly from easy picks like “Daydream Believer” to wonderfully off-the-wall choices like “Give It Away” — and Renee & Jeremy manage them all with tuneful aplomb. It’s a lot of fun. If I had to come up with a nit to pick, I suppose I’d wish for more unexpected covers on the next installment, but that’s only because it’s so much fun to see the looks on people’s faces when they hear “Give It Away.”

Target Age Group Everyone

Final Verdict A creative holding pattern, perhaps, but as placeholder projects go, A Little Love is more fun than most. A wise man once told me that you shouldn’t bother cutting a cover of someone else’s work unless you have something of yourself to bring to the song, and Renee & Jeremy observe that rule religiously here — you’ll obviously recognize everything here, but none of the covers are slavishly faithful, and all of the new arrangements make sense. Listen to the whole thing below (or just buy it here), and see if you don’t agree.