Category Archives: Music

DVD Review (and giveaway): “Rio”

One of my favorite animated films from 2010 was Tangled, the Disney CG feature that was heartwarming, exciting and an all around great family movie. What I really enjoyed was that Disney embraced their roots and included musical numbers in Tangled. It seems that after Pixar made CG films cool and “adult,” and then Dreamworks began making fun of animated musicals, a singing cartoon character was too much, even though live action stars had suddenly embraced the musical genre again. I digress. My point about Tangled holds true for Rio, the latest animated film from the great studio, Blue Sky. These are the folks behind the Ice Age movies, Horton Hears A Who, and one of my favorites, Robots. Rio is another winner for Blue Sky, and it’s a winner for audiences, too. In its execution and overall tone, Rio reminds me of one of those classic Disney films from a different era, in which music and songs were just as important to the story, characters and colorful animation. I truly expect this lively movie to win many accolades at the end of the year, perhaps even win the Academy Award (because it sure as heck isn’t going to be Cars 2).

Rio is about a nervous, inhibited Spix Macaw named Blu (voiced by Jesse Eisenberg of The Social Network). At a young age, Blu is captured from his native homelands of Brazil and shipped off to Minnesota. When his cage accidentally falls off the truck of his abductors, Blu is discovered by a little girl named Linda. The two grow up together. As an adult, Linda (voiced by Leslie Mann) is a bit of a homebody who owns a book store in her small town. She is approached by Tulio, an eccentric ornithologist from Brazil (played by Rodrigo Santoro) who informs Linda that Blu is the last male of his kind. He asks Linda to travel with Blu to Brazil so that the bird will mate with the lone female of the species. Linda, overcoming her fears of change, agrees and heads down to the lush, vibrant city of Rio de Janeiro.

As you would expect, things don’t go as planned in Rio. First of all, Blu’s “mate” is his complete opposite. She’s a strong willed and independent extreme flying female named Jewel (voiced by Anne Hathaway). When the two are left alone, Blu does his best to break the ice while the only thing Jewel wants to break is out of the lab where they’re being kept. Things turn ugly when animal smugglers, with the help of a sinister Cockatoo named Nigel (played to perfection by Flight of the Conchords’ Jemaine Clement), steal the two rare birds and they find themselves chained together.

Blu and Jewel manage to escape from the smugglers, but now they’re helplessly lost in the Brazilian rainforest. They embark on a hysterical and endearing adventure where they run into a friendly toucan (George Lopez), a hip canary and his too cool for words cardinal pal (Jamie Foxx and will.i.am of the Black Eyed Peas), and a slobbering, big hearted bull dog who just wants to dance (30 Rock’s Tracy Morgan).

Rio has everything you could ask for in a family film. It’s one of the most visually striking movies you will see all year.

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The colors burst off the screen and the animation is so graceful and nuanced. The voice casting is perfect, with Eisenberg and Hathaway making a great romantic duo, Foxx and will.i.am stealing every scene they share, and Clement giving a genius performance. The script has heart, adventure and perfectly timed laughs. And there is the great music. In addition the John Powell’s authentic score, there are superb contributions by Sergio Mendes, Taio Cruz, will.i.am and Clement.

When I say authentic, I mean it. Director Carlos Saldhana (who also co-helmed the first Ice Age and Robots, then directed the two Ice Age sequels) is a native of Brazil who came to America to pursue his artistic dreams. You expect someone to take great care when presenting a colorful place like Rio to the rest of the world and this director did just that. Rio has the feel of a labor of love and that love just pours out of every image, joke and musical note.

The special features of the disc are plentiful. It now seems that whenever an animated film is produced cameras are constantly rolling to capture the behind the scenes magic. Besides some goofy interactive features that show kids dance moves, there are many informative featurettes detailing the casting of Rio, the lengthy animation process, and the years of hard work that go in to creating 90 minutes of entertainment and art. Technically, this is one film that is worth seeing in hi-def.

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The colors are so vibrant and the music is so joyful, you will find yourself returning to Rio soon after your first visit.

And guess what, for on lucky reader, we are offering a giveaway of the Rio Blu-ray/DVD/Digital Download combo pack. Email me your name and I will randomly draw one name to be the winner. The contest ends on August 13 at 6:00 PM. Email me at malchus@popdose.com.  Good luck!

A Conversation with Dan Storper of Putumayo

I’ve teased them in the past for their prolific release schedule, but the Putumayo Kids label does some of the most consistently impressive work on the kindie market — in an era when plenty of Americans can’t find New Jersey on a map, let alone Ecuador or Uganda, the Putumayo releases take listeners on effortlessly enjoyable global journeys. And while they’re edifying and entertaining, they’re also contributing to charities like Amnesty International, which is getting 50 cents from the sale of each copy of the latest Putumayo release, Kids World Party .

To celebrate the new album (out June 28) and find out more about the company, we scheduled time for a talk with Putumayo’s founder, Dan Storper. Here’s what we discussed.

I’d like to begin by talking about Putumayo and Putumayo Kids. What’s the company’s mission, especially as it relates to kids’ music?

Well, let me go back a little bit. I started the label as a result of a few happy accidents, one of which was walking into one of our retail stores back in ’91 and hearing some really trashy metal music that I didn’t think was appropriate. That led me to search out international music, and I found all of these great artists I’d never heard of, which I compiled into a tape for our stores. And on the day the tapes arrived, I got multiple calls from managers telling me that customers were flipping out over the music — to the extent that people couldn’t get their jobs done, because they were fielding so many questions about it.

Through a group I was a member of, called the Social Venture Network, I met the owner of Rhino Records, and it struck me that we were looking at an opportunity to create thematic collections of music from around the world. So I proposed the idea to them — we’d collect the songs, they’d do the licensing, manufacturing, and distribution. It started from that, and kind of evolved into something that really led me out of the rat race of the clothing business. Continue reading

A Conversation with Debbie Lan of Grenadilla

As you’re no doubt aware if you’ve been visiting Dadnabbit for any length of time, I’m a huge fan of Dean Jones and Dog on Fleas — but since I’m something of a late convert to their music, it wasn’t until late last year that I discovered the band’s ranks once included Debbie Lan, whose dulcet tones now front the Capetown rhythms of kindie’s first kwela-based group, Grenadilla.

What’s kwela, you ask? Well, if you’ve ever listened to Paul Simon’s Graceland, you’ve got something like an idea — it’s South African music, full of memorable melodies, joyous harmonies, and the sunny sound of the pennywhistle. I haven’t been able to stop listening to Grenadilla’s debut for months (as I told Debbie during our chat, the only thing I don’t like about her music is that there isn’t more of it), and I thought it was high time we talked. If you haven’t heard Grenadilla yet, you’re in for a treat; visit their site for samples from the album, a link to a live NPR performance, and more.

Grenadilla’s album never leaves heavy rotation in my house, and I don’t think enough people have listened to it. Let’s talk about what you’re doing with the group.

These are songs that were just…in my head for awhile. They just sort of popped out at the right time, I guess. I don’t really know how else to describe it. I mean, I always wanted to have something where I was singing with a group of women, and after I left Dog on Fleas, it seemed like a natural progression. Continue reading