Tag Archives: Hip hop

New Music: The Figureheads, Holy Monkey Mixtape

After a looooooong hiatus, Milwaukee’s The Figureheads are back with a new batch of hip hop for kids. The trio consists of Greg Marshall, Jeremy Bryan and Dave Olson.  The new album Holy Monkey Mixtape is a tight, cohesive album with smart, thought-challenging lyrics at the forefront. Listen closely or you might miss the message.  It serves as great conduit to educate your child.

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In their own words:

The Figureheads is an award-winning musical act turned non-profit organization using original positive hip-hop music to engage youth and educators, from pre-kindergarten through high-school, in order to develop critical thinking and collaborative skills that result in a greater desire to learn and relate.

Can they give Secret Agent 23 Skidoo a run for his money as the King of Kid-Hop? Not yet. But they are the most formidable challenger yet.

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Although intended for older children, my 3 year old loves “The Sticky Song.

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Listen, then buy the entire album below:

CD Review: “MeeWee: Hip-Hop for Kids”

MeeWee: Hip-Hop for Kids (2008, MeeWee Entertainment)
purchase this album (Amazon)

To those of us who grew up during hip-hop’s mid-to-late ’80s golden era, the idea of a hip-hop album for kids may seem silly and unnecessary; after all, you can play a lot of those old hits without worrying about objectionable content. (My daughter, for instance, developed an intense appreciation for Heavy D at a very early age.) And then there’s this project’s name: MeeWee? Seriously? When I first heard about this album, I didn’t even want to say the title, let alone listen to the music.

Here’s the good news, then: MeeWee: Hip-Hop for Kids is much better than its title. It isn’t as much fun as the hip-hop hits you remember from your younger days, but for the most part, it avoids using the music to do any truly obnoxious pandering to kids, and the majority of the songs do a fine job of holding up to repeated listens. (A notable exception is the horrible “Keyvo,” which makes me want to give whoever recorded it a few solid punches to his MeeWee.) Some of them are really pretty catchy, actually; for instance, I’ve found myself randomly getting “I Can Be Anything” stuck in my head, and songs like “So Much Love to Give” deftly combine positive messages with solid pop arrangements.

MeeWee was developed by a former teacher and one of the producers of MTV’s Lyricist Lounge, and MeeWee Entertainment has been doing a great job of outreaching the album to childcare professionals (teachers, camp counselors, dance instructors), offering them free downloads as well as lesson plans and other materials. It’s a smart way of getting the word out, and for the K-3 set, MeeWee might work as a spoonful of sugar to help the educational message go down. Older kids are a lot savvier about music, though — hip-hop in particular — and for future installments, the company could, and should, do a better job of connecting the dots between real hip-hop and age-appropriate messages. This stuff is cute, but it’s canned, and the world is still waiting for an album of kids’ songs from rappers with household names. (Biz Markie and the Roots have contributed to Yo Gabba Gabba!, after all.) In the meantime, there’s no arguing with results like these:

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