Category Archives: Music

CD Review: Dean Jones, “Rock Paper Scissors”

Man oh man oh man. Why can’t they all be this good?

Not only my favorite kids’ album of the year but one of my favorite releases period, Dean Jones’ stellar Rock Paper Scissors is everything children’s music should be: A wonderfully easy-to-listen-to collection of songs that, while childlike in their lyrical simplicity and musical exuberance, still hum with a wild and woolly grown-up rock ‘n’ roll spirit. It’s one long, joyful noise, this album is, and having spent enough time with it to allow the initial euphoric rush of hearing it to wear off, I can safely say it’s my favorite kids’ record ever.

A big part of this has to do with Jones’ choice of backing musicians. At his day gig, Jones is a member of the highly regarded kindie outfit Dog on Fleas, and he doesn’t seem to take his solo efforts lightly — his first one, Napper’s Delight, is a wonderful collection of lullabies, and this time out, he teamed up with the Felice Brothers, Catskills-bred purveyors of gloriously ragged, Band-esque Americana. The Felice Brothers have a wonderful sound, and having seen them play live and truly unplugged, I can say with authority that they’re the real deal — but they have an annoying tendency to devote large chunks of their albums to listless ballads instead of the sweaty, moonshine-flavored uptempo numbers that are their true strong suit. Here, you get the benefit of the Felice Brothers’ terrific sound without having to contend with their occasionally frustrating songs; Jones uses them as a crackerjack backing band, leading them on a pleasantly off-kilter hootenanny.

You know what you’re in for from the first track, the shoutalong “Hail!

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Hail! The Gang’s All Here,” a perfect 1:45 celebration of the world’s marvelous unpredictability (“life is just a gamble, livin’ in the brambles”).

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It’s a tough act to follow, but Rock Paper Scissors does it in style, with songs jazzy (the title track), funny (“Butterfingers”), heartbreakingly beautiful (“Sing Like a Sparrow”), and everything in between (“Throw on the Charm,” “Flat Tire”). Jones’ press kit describes the album as “18 songs of fun and mayhem,” and I can’t think of any better way to sum it up, with the possible exception of simply telling you to buy it.

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Immediately. You and your kids will not be sorry.

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DVD/CD Review: “Readeez Volume Two” and “Songeez”

volume two front cover hi-resThe following exchange has taken place in my home roughly four dozen times over the last 24 hours:

Me: I am a frying pan.

My daughter Sophie: (giggling) No, daddy, you’re a man.

Me: April fool, April fool, April fool.

Why, you ask? Only because the animated duo of Julian and Isabel Waters is back with another collection of the delightful (and educational!) animated musical shorts known as Readeez. Readeez Volume Two: Make It Up the Mountain includes 30 additions to the series that started with last year’s Readeez Volume One, and if you enjoyed the first batch, you’ll be pleased to know Volume Two is even better. The videos have a little more going on, there’s a slight theme tying them all together, and most importantly, the songs are even catchier and more varied. Continue reading

CD Review: Sarah Lee Guthrie & Family, “Go Waggaloo”

515k1LUvczL._SCLZZZZZZZ_[1]Sarah Lee Guthrie is Woody Guthrie’s granddaughter — and the youngest daughter of Arlo Guthrie, whose “Alice’s Restaurant” took satirical folk protest songs to a whole new level — so her first children’s CD, Go Waggaloo, carries a greater weight of expectation than most debuts. Then again, most artists don’t debut on Smithsonian Folkways, a label geared much more strongly toward the music of the past, but Guthrie’s music fits right in: Waggaloo adds a vibrant new thread to the tapestry of traditional American music, weaving together a seamless blend of original songs and Woody Guthrie covers to produce a lovely, yet wonderfully raw, hootenanny record for the whole family.

Go Waggaloo is credited to Sarah Lee Guthrie & Family, and the credits reflect that spirit: Songwriting credits are spread between Sarah, her husband Johnny Irion, and their daughter Olivia, and a whole passel of Guthries — plus family friends like Pete Seeger — show up on the recordings. The connections between the musicians — and from the musicians to the songs — translates into an album whose warmth is felt from the first sunny strains of the opening track, “Don’t I Fit in My Daddy’s Shoes?,” and lasts clear through to the final ringing chords of “Oni’s Ponies.” In between, you get a half hour of fun that includes the joyous title track, the startling morality tale “Oh How He Lied,” the lovely “Big Moon,” a transcendent group runthrough of the classic “She’ll Be Coming ‘Round the Mountain,” and much more. It feels less like an album than an accidental peek into a very talented family’s singalong, which fits right in with the Guthrie/Seeger musical mission statement: Singing is just as important as listening, and everything is more fun when we all join in. Continue reading