Tag Archives: CD Review

CD Review: Professor Banjo, “Old Time, Good Time!”

While I sort of doubt he has an actual degree in banjology, you’ve got to hand it to Professor Banjo for truth in advertising. His 16-track Old Time, Good Time! delivers exactly what you’d expect: a guy, a banjo, and plenty of old-timey songs, like “Shortnin’ Bread,” “Jordan Is a Hard Road to Travel” (weirdly shortened here to “Jerdin,” but whatever), and “All the Pretty Little Horses.”

The packaging is also every bit as basic (and basically awesome) as the musical contents — the disc comes in a black-and-white cardboard case that says COLOR ME! on the cover, a winking nod to the days when these songs were originally popular, a time when families would sit around their parlors and sing the hits of the day themselves rather than streaming them to their AirPlay-enabled devices. (Of course, the album is also available as an MP3 download, but you get the point.

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The Professor (a.k.a. Paul Silveria) won’t win any awards for his vocals, but that’s part of Old Time‘s charm — this is one-take, rough-hewn stuff, meant for clapping and singing along to, beautiful in its stark, uncommon simplicity. If your kids love Pete Seeger (and if they don’t, you aren’t doing your job), here’s another perfect addition to the family music library.

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CD Review: Caspar Babypants, “This Is Fun!”

If you had told me 15 years ago that I’d be listening to a children’s album from the guy who sang “Peaches” — and really liking it — I would have called you crazy. And yet here we are with This Is Fun!, the latest kindie gem from Chris Ballew, a.k.a. Caspar Babypants: 20 tracks of bouncy, gently madcap fun for the whole family.

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Ballew has always taken the spraygun approach to recording music, loading his albums with lots of bite-sized songs, and that’s still true now that he’s making music for little people: This Is Fun!‘s longest track is 3:21, but most of them clock in around the two-minute mark, which is just enough time to burrow into your brain. This is Ballew’s third Babypants outing since 2009, and if you’ve heard his earlier stuff, you know what to expect: multitracked vocals, minimalist arrangements, and bubbly tempos, with plenty of chorus repetitions. Ballew’s approach to song selection remains the same, too — This Is Fun! includes an assortment of covers (“Shoo Fly,” “Mister Rabbit,” “Buckeye Jim,” and, um, Nirvana’s “Sliver”) sprinkled between like-minded originals.

The list of rockers-turned-Pied Pipers is as long as your arm, but Ballew’s songwriting has always been fundamentally childish in the best sense of the word, and with Caspar Babypants, he’s found a natural outlet for all that goofy energy.

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Like the album title says, This Is Fun!

CD Review: Frances England, “Mind of My Own”

Bright, catchy, and adorable, Frances England’s Mind of My Own is a slow pitch down the middle for grown-up fans of marshmallow-soft pop acts like Rabbit!, Lisa Loeb, Kaiser Cartel, and Mates of State (who pop in for a cameo on the sixth track, “Place in Your Heart”).

Having listened to more than my share of albums by female singers who wear vintage frocks, play quirky instruments, and wish they were Zooey Deschanel or Jenny Lewis, I hear warning sirens when I open a CD and see a woman holding a tiny keyboard and wearing thick glasses and a thrift-store outfit. And honestly, if you have a low tolerance for cute, Mind of My Own may test your limits — but then, you’ve probably had those limits trampled by plenty of kids’ acts, and this album steps around them more cleverly than most. It’s the family music equivalent of a curtsy and a smile: It might be a little much, but it’s too charming to resist.

Aided by kindie producer du jour Tor Hyams, England lays out a musical landscape that’s all sunshine and flowers; even when she’s grumpily protesting parental tyranny on the title track, she sounds more like she’s scrunching her nose than throwing a tantrum, and the names of the other songs — including “Ladybug,” “Cookies and Milk,” “Red Balloon,” “Do You Hear the Birds Singing?” and “Big Heart” — give you a pretty good idea of her overall perspective. And even if you don’t normally go for this sort of thing (or if, like me, you’re suffering from an overdose of the Zooey Effect), you have to admit it plays perfectly to England’s strengths — she’s good at conveying childlike innocence, and she’s got the perfect cotton candy voice for this stuff.

Like cotton candy, Mind of My Own may trigger sugar shock in large doses, but at a breezy 37 minutes and change, it doesn’t overstay its welcome; in fact, a couple of songs clock in under two minutes. Consider it a gateway drug for the Apple ad-approved bands on your iPod and heed England’s call for a living room dance in your underpants.