Category Archives: Featured

A Conversation with Recess Monkey

In the kindie world, there are few events more momentous than a new Recess Monkey record. The Seattle-based trio is set to return on June 21 with Flying!, a 14-song set that, per Monkey custom, follows a loose concept. This time around, the band was inspired by superheroes, which is fitting, seeing as how these stars of the junior set moonlight as teachers when they aren’t plugging into amps. (It’s like they have secret identities or something!)

If you don’t think the world needs more songs about Superman, not to worry — Flying! is about real-life heroism, the kind we see in our own families (“Grandmom’s House”), our friends (“Sidekick”), and even ourselves (“Bravest Kid in the World”). More importantly, the music is every bit as vibrant and joyously eclectic as fans have come to expect — and the band invited a few famous friends along for the ride, too.

To celebrate the new record, we lined up an interview with a pair of Monkeys: Jack Forman (bass, keys, vocals) and Drew Holloway (vocals, guitars, keys). Here’s what we discussed:

So let’s talk about the new album! The world is waiting with bated breath to hear new music from Recess Monkey.

Jack: And we’re waiting for them to hear it! Especially my wife, because there are several thousand copies in my basement. We can’t do laundry. [Laughter] It’s good that we seem to have some listeners, because otherwise, the inventory would start to take up some serious square footage. We still have CDs left over from our first band, and that was ten years ago.

You guys are impressively prolific. Was there any overlap between Flying! and your last album, The Final Funktier? And how did you settle on the superhero theme for this set?

Jack: Thematic thinking is something we learned teaching at the elementary school where we all met several years ago — every year, there’s a new curricular theme, and every level literally rewrites their curricula based on that theme, and each class looks drastically different than it did the year before. Continue reading

A Conversation with Heidi Swedberg

The kindie scene is full of artists who don’t get the kind of recognition they deserve, but of all the names I frequently share with parents looking for good family music, Heidi Swedberg’s is the one that most often receives a quizzically raised eyebrow in response. And the thing is, you may not think you know who she is, but you do — at least, if you were one of the millions of people who watched Seinfeld during George’s doomed courtship with his frequently exasperated fiancee Susan, who famously expired after licking poisoned envelope glue. Susan was Heidi.

These days, Heidi is doing something completely different: taking her ukulele (a whole bunch of ukuleles, really) on the road for a series of teaching clinics where she shows people just how easy it is to start making music of their own. Heidi’s debut CD, Play!, has been a favorite in our house for months, and with Heidi about to play Kindiefest — and spread some of her ukulele magic with a Haitian orphanage — we decided now would be the perfect time to catch up.

All the artists I talk to have had some sort of journey to the kindie world, but it seems like yours was more interesting — and unexpected — than most. Let’s start by talking about how you got here.

Yeah, you know, I grew up with music in my life. Everyone in my family was musical, and I have one sister who is a musician. We all sang together all the time — in the car, everywhere. I think that’s part of how you keep four girls busy without spending any money. [Laughter] It sort of organized the din, I suppose. So we all grew up making music, and since we lived in Hawaii, we all had ukuleles — but they were just kind of around. I think I learned five chords, and it was part of the thing, but I was really interested in acting, and that was the direction I took until after my kids were born. Then I started having fun and playing again.

This is what I love about kids’ music and teaching — I teach a lot of early childhood classes for music — which is that when we reach adulthood, we tend to leave music behind. You’re in band or choir when you’re younger, but then you go out into the “real world,” and you leave performing to the professionals. You don’t make your own anymore. Until you have a kid, and then it’s all okay again, and the fact that you don’t have a great voice doesn’t matter. A window opens up, and it opened up for me in such a way that…I never felt like I have a beautiful voice, and I don’t. I have an acceptable voice, but it isn’t so good that people feel like they can’t sing with me. It’s accessible. Continue reading

A Conversation with Elizabeth Mitchell

You don’t hear her doing Disney theme songs or dancing around between shows on Nick Jr., but Elizabeth Mitchell is kindie royalty — especially for parents who appreciate family music on the quieter, more natural end of the spectrum. With minimum production, Mitchell and her family (including her husband, Daniel Littleton, and their daughter Storey) harmonize over gently arranged versions of traditional tunes like “Little Liza Jane,” more recent classics like Bill Withers’ “Lovely Day,” and a smattering of originals.

Around my house, Elizabeth’s music is frequently heard, and her name comes up in conversation on a regular basis, but maybe your home isn’t so lucky. Let this interview be your introduction to an artist who’s making some of the warmest, most enriching family music on the modern kindie landscape. And if you’re already a fan? Here’s a peek behind the scenes of some of your family’s favorite songs.

I’d like to begin by talking about how you found your voice as an artist. Your albums are filled with such a wonderful sense of peace.

Well, I think it’s definitely informed by spending time with children, and my beginnings as a teacher. That was something I felt like they maybe weren’t getting elsewhere — that the sense of being grounded, and the peace you’re talking about, was something that maybe wasn’t being imparted by Spongebob Squarepants. [Laughter] That has its place, too — we all need to yuk it up and goof around. But maybe there aren’t so many outlets for centering, being compassionate, and thinking about the larger world. Just having a quiet moment with someone else, shared through music.

I just kind of got a sense that was a place I could go with the kids when I was teaching, and it’s a place you can find naturally and effortlessly. It’s also something that comes easily to me — I don’t do zany super well. This is just sort of what revealed itself to me, and it seems to be what resonates and seems to be of service to people. That’s the response I get, and it inspires me to keep going. Continue reading