Category Archives: Featured

A Conversation with Stephen and Bonnie Ward Simon

Judging from the sales numbers, most of us don’t think about classical music very often these days — and when we do, we tend to think of it as stuff for grown-ups. But kids can — and often do — love classical just as much as anything by Dan Zanes or Justin Roberts. Songs don’t endure for hundreds of years without being able to stand on their own, after all.

Nevertheless, classical could definitely use a family-friendly outreach effort, and for years now, it’s been getting it from Stephen and Bonnie Ward Simon, the couple behind the Stories in Music series that helps tell the tales behind some enduring classics — including “Peter and the Wolf,” “Swan Lake,” and now, with their latest release, Handel’s “Water Music.”

Adding entertaining narration — and occasionally lyrics — to the music, the series informs budding classical fans (and their parents) about the lives of the composers, the stories behind the songs, and the historical context of it all. It’s educational and it’s fun, and we knew we had to get the Simons on the phone for a chat about My Name Is Handel. Our conversation follows.

Let’s start off by talking about the Stories in Music series in general, and how it started.

Bonnie: Well, it came out of the series we did at the Kennedy Center. In fact, the whole idea of doing concerts for parents and children — or, as we like to call it, multi-generational education — came from a two-fold issue. One was that, when I became director of the Washington Chamber Symphony, we noticed a void in the audience between the ages of, say, 30 and 45. Where are they and why don’t they come? As a fellow parent, I said, “Well, they’re tired.” They come home from work, they do homework with their kids…you know. So we wanted to give parents something fun they could do with their children. Continue reading →

A Conversation with Key Wilde

We’re big fans of Key Wilde and Mr. Clarke around here — I gave an enthusiastic thumbs up to their debut full-length, Rise and Shine, which has been in heavy rotation in our car for the last year and a half.

Key and Clarke are back with a new six-song EP, Hey Pepito!, which was all the excuse I needed to get Key on the phone for a conversation about their uniquely exuberant brand of children’s music. Read on — and then sample Pepito! via the widget at the bottom of the post.

First of all, I have to tell you that because of my son and his intense love of your music, I’ve had to hear “Rattling Can” at least once a week for over a year.

[Laughs] So you have just a little bit of resentment.

Not as much as I would if it happened with just about any other song.

Yeah! It could be worse. I’ve had parents tell me “Thank goodness I actually like this stuff, because otherwise, it would drive me crazy.”

One of the things I really love about your music is its vibrant, honest energy. Plenty of kids’ music is uptempo, but it often feels forced, or just hyper.

You know, I started in this field for two main reasons: One, I had a new daughter, and I wasn’t staying out until 2 AM anymore, and two, I just wanted to hear some cool kids’ music. People had already told us at different points in the past that we’d be good at making family music, and we realized that all we really had to do was take out the swear words and we were ready to go. Continue reading →

A Conversation with Dan Storper of Putumayo

I’ve teased them in the past for their prolific release schedule, but the Putumayo Kids label does some of the most consistently impressive work on the kindie market — in an era when plenty of Americans can’t find New Jersey on a map, let alone Ecuador or Uganda, the Putumayo releases take listeners on effortlessly enjoyable global journeys. And while they’re edifying and entertaining, they’re also contributing to charities like Amnesty International, which is getting 50 cents from the sale of each copy of the latest Putumayo release, Kids World Party .

To celebrate the new album (out June 28) and find out more about the company, we scheduled time for a talk with Putumayo’s founder, Dan Storper. Here’s what we discussed.

I’d like to begin by talking about Putumayo and Putumayo Kids. What’s the company’s mission, especially as it relates to kids’ music?

Well, let me go back a little bit. I started the label as a result of a few happy accidents, one of which was walking into one of our retail stores back in ’91 and hearing some really trashy metal music that I didn’t think was appropriate. That led me to search out international music, and I found all of these great artists I’d never heard of, which I compiled into a tape for our stores. And on the day the tapes arrived, I got multiple calls from managers telling me that customers were flipping out over the music — to the extent that people couldn’t get their jobs done, because they were fielding so many questions about it.

Through a group I was a member of, called the Social Venture Network, I met the owner of Rhino Records, and it struck me that we were looking at an opportunity to create thematic collections of music from around the world. So I proposed the idea to them — we’d collect the songs, they’d do the licensing, manufacturing, and distribution. It started from that, and kind of evolved into something that really led me out of the rat race of the clothing business. Continue reading →