Author Archives: Jeff Giles

About Jeff Giles

Jeff Giles is the founder and editor-in-chief of Popdose and Dadnabbit, as well as an entertainment writer whose work can be seen at Rotten Tomatoes, Paste Magazine, and a number of other sites.

CD Review: Ben Rudnick and Friends, “A Frog Named Sam”

Ben Rudnick and Friends – A Frog Named Sam (2009, Bartlett Avenue)
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As kids’ entertainment characters go, “a frog named Sam” isn’t the most original concept in the world — and neither is the story at the heart of this album’s title track, about the titular amphibian and his journey from backwater pond to the big city and back again. Heck, even A Frog Named Sam‘s artwork is fairly amateurish, so a person could be forgiven for having low expectations for the album…expectations that will be exceeded within the first few moments of listening to the deadpan vocals, tribal jam band beat, and — of course — ribbiting of the leadoff track. What Ben Rudnick and Friends lack in conceptual originality, they more than make up for with a musical approach that can best be described as “Beausoleil for tots” — plenty of upbeat, danceable rhythms, tasty acoustic guitar fills, mandolin, harmonica, and accordion, all draped around an assortment of the usual kids’ subjects: talking animals, trains, family love, and friendship.

So no, A Frog Named Sam doesn’t break any new lyrical ground, but it’s still some of the most fun I’ve had with a kids’ album this year, and it’s a testament to Rudnick and Friends’ originals that songs like the wonderful “Drink It Up” (“it’s like a milkshake when I see your face/I want to drink it up and take it with me”) stand shoulder-to-shoulder with well-chosen covers like “Old Joe Clark,” “Erie Canal,” and my daughter’s personal favorite, a shifty, album-closing take on “Greensleeves” (her quote: “It tricks every part of your body. I thought, ‘What the heck, ‘Greensleeves’?

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You tricked me'”).

If your tastes run toward the Subdudes/Beausoleil/Beau Jocque end of the spectrum, A Frog Named Sam should provide hours of entertainment for you and your kids — you can dance to the instrumental jigs, laugh at the stories of Sam the frog and the three little fishes, and simply enjoy the positive, uplifting tone of the entire album. Though I found the band’s take on “Erie Canal” to be a bit lackluster, there really isn’t a bad song on the album.

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We’ll be listening to this one for a long time.

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DVD Review: “Bolt”

Bolt (2009, Walt Disney)
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I don’t care whether it’s animated or not — any time I see the words “starring John Travolta and Miley Cyrus,” I feel confident in assuming that the film in question is going to be 100 percent awful. For this reason, I watched Disney’s latest entrance into the world of chatty CG-animated animals, Bolt, with no small degree of trepidation — and maybe it’s just the low expectations talking, but in the end, what I expected to be a powerful new blend of suck proved instead to be an utterly charming little kid’s movie.

Bolt begins with a fast-paced action set piece, which pretty much sets the tone for the entire movie; overall, it’s a smartly concocted blend of high-concept plot, beautiful animation, and enough tender moments, sharp dialogue, cuddly critters, and good old-fashioned adventure to keep viewers of pretty much any age entertained. The storyline follows Bolt (Travolta), the canine star of a television show that depicts the exploits of a superpowered mutt and his owner, a scientist’s daughter named Penny (Cyrus), as they battle the nefarious Doctor Calico.

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Bolt, in a nifty twist, doesn’t realize the show is fake — which proves problematic when he accidentally leaves the lot where the show is filmed, ends up across the country, and has to find his way back to Penny, all the while believing he has the power to pick up cars with his teeth, bark bad guys into submission, and shoot laser beams out of his eyes.

Bolt is joined on his trip by Mittens (voiced by Curb Your Enthusiasm‘s Susie Essman), a cat he takes prisoner, and Rhino (Mark Walton), a hamster who just happens to be a rabid fan of Bolt’s show. Their cross-country journey is beautifully animated — despite the fact that the technological advancements of the format have long since numbed us to stuff like lifelike CGI grass and hair, it still looks great — and more importantly, screenwriters Chris Williams and Dan Fogelman never resort to the scatalogical humor or cheap pop-culture gags that have become de rigeur in these films. There’s some mild peril, but unless your kids are either extremely young or extremely sensitive, Bolt is well worth inviting into your home; aside from being thoroughly entertaining, it contains some positive messages about the difference between real life and television, and the power of belief. Parts of it are really sort of moving, actually.

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This three-disc special edition comes bundled with a Blu-ray version, a digital copy, and the film (plus bonus features) on DVD, making it an excellent purchase for any family planning on making the jump to Blu-ray in the near-to-long-term future.

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The features themselves are nothing to sneeze at, either, including a short film that gives Rhino the spotlight, an assortment of behind-the-scenes featurettes that provide a glimpse of how the film was made and the process the voice actors went through, and a music video for “I Thought I Lost You,” the Travolta/Cyrus duet that, I must admit, doesn’t suck nearly as much as I thought it would. If you’re looking for some new viewing material for family movie nights, feel free to rent or purchase Bolt without reservation.

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CD/Book Review: Trout Fishing in America, “My Name Is Chicken Joe”

Trout Fishing in America – My Name Is Chicken Joe (2009, Secret Mountain)
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Trout Fishing in America celebrates its 30th anniversary this year — and the fact that you most likely didn’t know that, but have never heard a lick of the roots duo’s music, explains why they won’t be commemorating the occasion with a lavish boxed set, sold-out arena tour, or all-star tribute record. They will, however, be taking a fond look back at some of the most popular songs from their multiple forays into kids’ music with My Name Is Chicken Joe, a beautifully made ersatz best-of that sets their song “Chicken Joe” alongside some eye-catching illustrations from artist Stéphane Jorisch to create a handsome, albeit plot-free, book to go along with the 11-track CD. And if that isn’t enough to make you whip out your wallet, there’s also a DVD containing a “Chicken Joe” music video of sorts.

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If you’re a member of the Dirty Linen crowd, you’re no doubt already very familiar with Trout Fishing in America, but if you aren’t yet among the enlightened, My Name Is Chicken Joe functions as a perfect gateway into their children’s music. Though it cherry-picks old favorites from the catalog, Joe feels as cohesive as a really well-made new album. The songs are all as wonderful as you’d expect from a band that’s earned four Grammy nominations, all grounded solidly in deceptively simple folk arrangements and topped off with gentle, positive messages about kindness, personal identity, friendship, and family.

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(There are a couple of detours into mildly negative territory with “Why I Pack My Lunch” and “Boiled Okra and Spinach,” but they’re about having to choke down the food your parents pick for you, and who can’t sympathize with that?

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)

A lot of kids’ records claim to contain music that parents can enjoy even when their children aren’t around, but My Name Is Chicken Joe really is that kind of album. Songs like “My Best Day,” “Something Sweet,” and “Count on Me” are worth having in your collection no matter how old you are. If you’re any kind of fan of roots music — and I’m talking stripped-down bluegrass stuff as well as AAA favorites like John Hiatt — or you know kids who might be, purchase this set without fear the next time a birthday or other special occasion rolls around.

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