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CD Review: Debbie and Friends, “Story Songs and Sing Alongs”

Debbie and Friends – Story Songs and Sing Alongs (2007, Debbie Cavalier Music)
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As any parent of a young child (or, God forbid, multiple young children) can tell you between exhausted sobbing fits, the kids are the bosses of the house. It’s a dirty secret that “grown-up” artists like They Might Be Giants and Barenaked Ladies have just started figuring out — no doubt partly thanks to having kids of their own — but the brave men and women who have committed their careers to making music for tots have known it for years; in fact, they rely on it to make a living. Take that little jerk Raffi, for instance — how many dads, do you think, fantasized about knocking his teeth out the first time they heard “Baby Beluga”? But they couldn’t, because kids looooooooove Raffi.

Yes, children are tyrants, and once they latch onto a television show, movie, or piece of music, Mom and Dad are going to listen to it repeatedly, whether they like it or not. Of course, getting the tykes to do the latching requires a certain level of commitment on the performer’s part — he or she may need to climb into a purple dinosaur suit, or introduce himself at cocktail parties as “the yellow Wiggle.” Or, in Debbie Cavalier’s case, strap on a phony Southern accent and pretend to talk to a horse.

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(This isn’t anything Toby Keith doesn’t do on any given afternoon, but still: commitment.)

Cavalier’s debut CD, Story Songs and Sing Alongs, comes 20 years into a distinguished career that has included over 100 music education method books and arrangements — not to mention a long-running association with her alma mater, the Berklee College of Music, where she currently serves as the Dean of Continuing Education. She may look like a cartoon on the cover of the album, but she clearly isn’t fooling around; each of these songs boasts full-bodied arrangements and a large backing band, and Story Songs‘ press kit claims it’ll be “a toss-up as to who will shout ‘AGAIN!’ the loudest: you or your child.

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Truthfully, Debbie will probably come up snake eyes on that roll in your household, but Story Songs and Sing Alongs is a children’s album definitely not lacking in charm. It falls squarely on the cutesy-poo end of the spectrum, and you will almost definitely catch yourself doing some eye-rolling at certain points (such as the aforementioned pretend-horse-talking), but this album hasn’t won a slew of honors (including the 2008 iParenting Media Award and Parents’ Choice Approved Award) for nothing; Cavalier covers a broad range of topics, framing them within the fairytales kids everywhere know and love, and wraps everything in slick, sitcom-theme-ready performances and production. The album’s sort of a throwback to the days when “children’s music” was synonymous with “pandering,” but it isn’t so saccharine enough to keep you from singing along — and by the end, when she pulls out all the stops for “Love Is a Family,” including an out-of-nowhere rock guitar solo and an over-emoting choir, you will know what it means to drown in cheese and love it.

Perhaps the album’s ultimate endorsement comes from Bob McGrath of Sesame Street, who says “I wish someone had written songs like this when I was a kid!” Of course, when Bob was a kid, minstrels were lugging lutes and harpsichords between feudal villages, but his point is well-taken — my daughter sat rapt in front of the stereo for a good half hour while Story Songs and Sing Alongs played, studiously perusing the booklet (even though she can’t read). It’s smartly written, it’s fun, and it’s miles better than stupid old Raffi. You may not love it like your little ones, but the smiles on their faces (particularly when songs like “I’m Not Tired” come on) should more than make up for it.

CD Review: Danielle Sansone, “Two Flowers”

Danielle Sansone – Two Flowers (Azalea Street Records, 2008)
purchase this album (Amazon)

We didn’t really understand what was about to happen at the time, but when my daughter Sophie was born, my wife and I embarked on a monthslong journey into that hellish place known as Teaching Them to Sleep Land. It’s always dark there, and always foggy, and there’s never anything on TV except for infomercials. Oh, and there’s a lot of crying, and you’ll do anything to escape.

We’re better now (thanks, Sleep Lady!), but Sophie is still, as she approaches her third birthday, the type of child who would rather be awake — which is why she has an iPod in her room, plugged into one of those iHome alarm clocks, and loaded with gigabytes upon gigabytes of children’s music. We had a CD player in there, you see, but it didn’t have a “repeat” button, and after we’d been woken up a few dozen times with screams of “PLEASE TURN MY MUSIC BACK ON,” we figured we might as well just give the kid my old iPod and let it run all night.

It’s worked brilliantly; for months, Sophie fell asleep listening to a specially assembled list of bedtime songs, put together by yours truly.

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But for the past few weeks, all she’s wanted to listen to is the album she calls “Bird Songs”: Danielle Sansone’s Two Flowers.

I’d never heard of Sansone before receiving this CD, but she made her journey to children’s music the old-fashioned way — namely, via an aborted career as a grown-up singer/songwriter. She played the Eastern circuit in the ’90s, eventually releasing an album, but marriage and motherhood put those plans on the back burner for a decade or so.

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Sansone was teaching family music classes when she started writing again, and though the songs were initially meant mainly as gifts for her two daughters, she eventually started working them into her classtime repertoire, and the positive response helped push her toward recording them.

(It bears mentioning that Sansone’s brother, Pat, is a member of Wilco and the Autumn Defense, and having his input and participation on Two Flowers is a luxury that most moms who dream of making an album can’t afford…but rare is the artistic endeavor that doesn’t benefit from the support of some type of benefactor.)

Two Flowers is, in a word, beautiful. Sansone’s tough-yet-delicate vocals will remind you of folk-rooted singers such as Natalie Merchant or Rosanne Cash, and her songs’ simple, beautifully layered arrangements serve them perfectly. Sansone calls them “lullabies and love songs,” and as my daughter’s latest nighttime ritual of snuggling down and asking for “Bird Songs” can attest, they do what they’re supposed to: comfort and relax the little ones.

But if your tastes run to the folk and bluegrass end of the musical spectrum, you may very well find yourself bogarting your kid’s copy of Two Flowers and playing it for yourself. The song’s aren’t cutesy, and they don’t pander to their audience; Sansone and arranger Will Robertson have kept things simple without dumbing them down, and the result is a collection that will appeal to all ages. (Case in point: my wife, who has purchased at least one Natalie Merchant CD in her day, swooned as soon as the music came floating out of the speakers.

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) If you’re trapped in Teaching Them to Sleep Land — or just looking for a gentle, relaxing album for the entire family to enjoy — visit Sansone at her website and sample Two Flowers today.

Book Review: Philip Pelletier, “One Night in Frogtown”

Cool picture, huh? It comes from a scene halfway through Philip Pelletier’s One Night in Frogtown, in which our hero, young Tad — that’s him there with the downcast look and the saxophone — is given a tongue-lashing (ha, ha, ha!) by a group of classical music-playing frogs who have no patience for Tad’s love of the blues. Of course, Tad’s already been cast out by the blues-playing frogs for not loving the blues enough — and his journey’s only halfway finished, because all the frogs in Frogtown are pretty stuck up about their favorite kind of music, and they take offense at Tad’s eclectic nature.

In case you hadn’t already guessed, One Night in Frogtown is a book about fitting in, and one that uses love of music (which can be a pretty divisive thing, especially when you’re young) to frame its message of friendship and cultural diversity. Children’s authors do this sort of thing all the time, but Frogtown has the added advantage of Lindner’s wonderful illustrations — and the CD that comes with the book, featuring music to go along with the songs each group of frogs sings (blues, classical, rap, etc.) as well as the tune Tad plays after he’s been exiled for the third time (a ballad titled, naturally, “Alone”). Blues veteran (and, like Pelletier and Lindner, Oregon resident) Curtis Salgado provides the narration.

After the book arrived, I did what I always do: Handed it to my three-year-old daughter and watched her reaction.

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She was immediately drawn in, to the point that the scene where Tad talks about feeling alone actually made her cry. (She still won’t listen to the song.) We read the book first without the CD, then tried to read along with the music — but getting a toddler to sit and look at one page of a book for three minutes while a song plays is impossible, and she lost interest pretty quickly.

Overall, One Night in Frogtown is a beautifully assembled multimedia package with a moral that any parent should be able to get behind and some perfectly entertaining music to go along with it — and a portion of the proceeds go to the Oregon Cultural Trust, to boot. As final proof, weeks after reading it for the first time, my daughter’s still talking about it; in fact, she just took it into preschool to share it.

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What else can you ask for in a kids’ book?

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Sample pages, hear music, and purchase One Night in Frogtown here.