Tag Archives: CD Review

CD Review: Brian Vogan and His Good Buddies, “Sing a Little Song”

Brian Vogan’s first CD, 2008’s Little Songs, has been one of my daughter’s favorites since it was released, so you can imagine the level of anticipation surrounding the arrival of his second album, Sing a Little Song. And taking the disc out of the envelope underscored one of the cool fringe benefits of this whole writing-about-kid’s-music thing — when Little Songs came out, Sophie was singing along to Vogan’s “Animal ABCs”; this time around, she read his name off the front cover. It was a special moment. How could the music help but be overshadowed?

Only by being awesome — and I’m happy to report that Sing a Little Song is just that. The album is credited to Brian Vogan and His Good Buddies, and the songs reflect that friendly, expansive spirit; where the first album was a low-key, homespun-sounding affair, this has more of a band feel. And you can hear why Vogan adjusted his approach this time out; he’s beefed up his arrangements, and the songs really benefit from the added layers.

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What hasn’t changed is that Vogan’s songs are catchy as all get out — and unlike a lot of performers in the genre, he doesn’t do any annoying play-acting with his voice, displaying a refreshing level of trust in his music to speak for itself (and his audience to really listen).

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The album opens with the lovely “How to Fly,” a duet with Visqueen frontwoman Rachel Flotard, and from the opening bars to the closing chords, Sing a Little Song reflects Vogan’s quirky, down-to-earth perspective. He does touch on his share of oft-covered kids’ music topics (crossing the street, washing your hands, space, dinosaurs, trucks), but he puts his own unique spin on them, and he also makes room for stuff you’re not liable to hear anywhere else — like “27,” for instance. (It’s a song about counting to the number 27.

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My personal favorites are “How to Fly,” the instantly hummable title track, and the hard-rocking “Wash Your Hands,” but the whole album is impressively solid. This has been a really solid year for children’s music, and Sing a Little Song is one of my favorite 2010 releases so far. Listen to the samples at CD Baby and see if you don’t agree.

CD Review: Heidi Swedberg and the Sukey Jump Band, “Play!”

What comes to mind when you think of the ukulele? If you’re a member of my generation (or older), you probably think of Don Ho or his many cheesy, Hawaiian-shirted imitators — but the uke is so much more than “Tiny Bubbles” on The Lawrence Welk Show, and Heidi Swedberg is doing her part to demonstrate just how family-friendly ukulele music can be.

Play! offers up 15 tracks, most of them from the public domain (examples include “Froggie Went a-Courtin'” and “Pop Goes the Weasel”), with few production frills and plenty of silly charm. It’s a conscious throwback to the days of family parlor music — as Swedberg writes in the liner notes, listeners should “Tune up and learn one, two or three chords. Play!” And if you’re a little intimidated by the prospect of sitting down and learning to play “Kookaburra” or “My Dog Has Fleas,” don’t worry — she’s included tabs in the booklet. Unlike the many albums engineered to make your kids beg for Backyardigans dolls or Dora backpacks, here’s a collection that challenges you to make your own joyful noise.

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How refreshing is that?

And okay, so you probably aren’t going to shut off the TV and start a family band right away. But even if listening to Play! doesn’t inspire you to buy a ukulele for every member of your family, it’s still an awful lot of fun — Heidi Swedberg is an immensely appealing performer, and she has a lot of fun with her song selections, whether she’s crooning the “Japanese Umbrella Song” or lending a little pineapple flair (and singing saw) to “Dream a Little Dream.” For mellow afternoons, dancing in the kitchen with your kids, or family band practice, Play! backs up the cheerful demand imposed by its title. More, please.

CD Review: Oran Etkin, “Wake Up, Clarinet!”

Toots Thielemans once joked that when you mix jazz with anything else, you often end up with nothing. He was defending his decision to mix jazz with Brazilian music for his first Brasil Project album, so his point was ultimately that good jazz doesn’t have to be pure, but you get the idea — and if you’ve ever listened to a Kenny G or Dave Koz record, you probably agree that jazz generally doesn’t benefit from being blended or watered down.

Rules are made for exceptions, however, and here’s a fine one: Oran Etkin’s Wake Up, Clarinet!, which offers a delightfully breezy 22-minute course in basic jazz for the younger set.

Dedicated to, in his own words, helping kids “develop a rich musical vocabulary and creativity,” Etkin teaches the Timbalooloo Method, using games and stories to help teach music theory. Judging from Wake Up, Clarinet!, it’s a class I’d like to join. Unlike a lot of “____ for kids” projects, it doesn’t waste time with cutesy sleight of hand; these nine tracks (three intros and six musical numbers, running from 2:24 to 4:29) are simple, but they brim with an obvious, infectious joy.

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Not to mention solid musicianship: the small combo Etkin leads here (on clarinet and sax, natch) includes Jason Marsalis on drums, Fabian Almazan on piano, Garth Stevenson on bass, Curtis Fowlkes on trombone, and vocalist Charenee Wade, who serves as Etkin’s foil throughout. (You can watch Etkin perform three songs by putting the enhanced CD in your computer, too.

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It’s worth mentioning that the concepts Wake Up, Clarinet! addresses are decidedly basic — high notes and low notes, that sort of thing — but Etkin does such a fine job of incorporating those themes into the performances that it never feels like he’s talking down to the listener. These are just bite-sized songs, steeped in jazz, and bursting with a wonderful energy.

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Whether or not you think you care about jazz, this is a Wake Up that should strike a chord with music-loving families everywhere.