CD Review: Ziggy Marley, “Family Time”

Ziggy Marley – Family Time (2009, Tuff Gong)
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I didn’t have much use for Ziggy Marley when he was riding high (ahem) on the charts 20 years ago, with the hacky sack anthem “Tomorrow People,” and nothing I’ve heard from him since then has changed my mind — until now, that is: for his new children’s album, Family Time, Marley has pulled out all the stops, assembling an Ocean’s Eleven-style dream team including some major names both within kids’ entertainment (Elizabeth Mitchell, Jamie Lee Curtis, the dreaded Laurie Berkner) and without (Jack Johnson, Toots Hibbert, Willie Nelson, Paul Simon). The result is a wonderfully easy listen that’s a lot more cohesive than you might think, given the succession of cameos — and if you, like me, have never given Marley much thought, it proves unexpectedly entertaining as well.

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The record strikes a sunny, bucolic vibe right off the bat — the title track, which opens the album, begins with the words “Lift up your hearts with a smile / Life up your feet with a dance / Lift up your spirits with a song” — and holds it steady throughout the first 11 songs. (The last two tracks, brief spoken word snippets narrated by Jamie Lee Curtis, aren’t awful, but neither do they seem terribly necessary.

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) Taken together, the songs form something like a set of training wheels for young would-be reggae fans — not only simply by virtue of Marley’s presence (and those of family members Judah, Rita, and Cedella), but through some savvy choices of material to cover (“Hold ‘Em Low,” “This Train”) or reinterpret (“Wings of an Eagle” spins “If I Had the Wings of a Dove”; “ABC” does the same for “Bend Down Low”), mixed in with some thoroughly enjoyable originals. The guests generally tend to fade sensibly into the framework of whichever songs they appear on, too, with the possible exception of Willie Nelson, who sounds like he thought his bus pass was taking him to a different studio. (Best guest appearance: Paul Simon proving he hasn’t lost his affinity for reggae phrasing on “Walk Tall,” where he trades lines seamlessly with Marley.

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Ultimately, the album is a rather slight affair, but then, you get the feeling that’s exactly what Marley was aiming for — an amiable, uncomplicated good time for children of all ages. Call it an unqualified success, then, and prepare for Family Time to last a good, long while in your household.

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CD Review: Recess Monkey, “Field Trip”

Recess Monkey – Field Trip (2009, Recess Monkey)
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When I was a kid, Seattle was the place with nifty architecture where the SuperSonics and the Seahawks played (no reason to care about the Mariners, as ours was a Yankees household). When a got a little older, it was the place where flannel-clad heroin addicts made sad, loud music that the world went crazy for. These days, folks my age tend to think of coffee and economic summits when they think of Seattle — but for my daughter, and a not-inconsiderable number of her peers, it’s the place Recess Monkey comes from.

The band — made up of teachers Drew Holloway, Jack Forman, and Daron Henry — returns in June with its fifth album, Field Trip, fittingly recorded in the music room of the school where they met (and where two of them still teach). Trip continues the absurd one-record-a-year pace Recess Monkey has maintained since debuting with Welcome to Monkey Town in 2005, a work ethic made even more impressive by the fact that each of these songs is a delicious nugget of kidpop goodness that sounds nothing like the work of a group of insanely prolific part-time moonlighters. The album is, in other words, just the right kind of awesome for little ears — as my wife recently discovered, much to her eventual chagrin, during a three-hour drive in which Field Trip, per my daughter’s repeated requests, played on an endless loop.

Still, even after experiencing drivetime burnout, my wife has to admit this is one of the best records we’ve heard all year; she’s particularly enthusiastic about the clever, poppy “L.

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I.C.E.” (it stands for “little insects crawling everywhere”) and the cleverly arranged backing vocals on “Sack Lunch” the lilting “Tiny Telephone.” As for me? Well, I wasn’t on that drive, so I’ve got nothing but love for these songs, especially after blasting them all morning and watching my kids dance and sing along.

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They’re a pleasantly eclectic bunch, with room for everything from the new wave groove of “Hot Chocolate” to the Latin flair of “Ice Pack,” and they’re filled with an infectious sense of fun (example: the velcro solo during “New Shoes”). Whether you’re already a Recess Monkey fan, or just a parent in need of some great new family music, you’ll want to pre-order your copy of Field Trip today.

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DVD Review: Marvel DVD Comic Book Collection: “X-Men” Volumes 1 & 2

In the early 1990s, when Marvel’s X-Men comics were at the peak of their popularity, Marvel Entertainment finally produced an animated series based on their wildly successful mutant superheroes. Cartoons, in general, were gong through a renaissance. Steven Spielberg attached his name to Tiny Toons, attempting to recapture the lunacy of the old Warner Brothers shorts, while Bruce Timm and Paul Dini were taking on the Batman legacy with their classic Batman: The Animated Series. Marvel’s X-Men may never have been on the same level artistically as those two shows, but it was influential in its storytelling and the way it managed to incorporate the nearly 30 year legacy of the X-Men comic books into a single series. Moreover, despite the clunky animation and some questionable voice over casting, X-Men is solid, fun entertainment for kids and adults alike, with themes of tolerance, loyalty and family that don’t get to preachy.

Buena Vista Home Entertainment has just released what they dubbed the Marvel Comic Book Collection. X-men Volume 1 and Volume 2 each have 2 discs each and contain the first 33 episodes in order from seasons 1 and 2 and the first 7 episodes from season 3.

When creating this particular series, it was apparent that the producers had a specific approach: Keep the X-Men team simple, with no more than 8 characters. That may seem like a lot, but considering that there are too many X-Men related characters in the Marvel Universe to count, this was a wise decision. They opted with the popular characters of the time: Cyclops, the pensive leader who shoots optic rays out of his eyes; Jean Grey, a beautiful and powerful telekinetic; Wolverine, (the most popular character then and now), a savage with claws in his hands; Gambit, a reformed Cajun thief with the ability to manipulate kinetic energy; Rogue, a southern misfit who is seemingly indestructible and can absorb other peoples’ powers; Beast, a brilliant scientist trapped in a furry blue body; Storm, a stunning weather goddess from Africa; and Jubilee, a teenage girl just learning to use her mutant ability. With a smaller group it allowed the viewer to get attached to the characters on an emotional level. Continue reading