Category Archives: Interviews

A Conversation with Ashton Allen of Rabbit!

If there’s one thing a diehard music fan loves to complain about, it’s lack of variety. It’s less of a problem now than it used to be, but during the monoculture era, anyone who wasn’t into the latest craze really had no choice but to wait it out while the music press, Top 40 radio, and MTV bombarded listeners with more of the same.

Now that we all have free Pandora, plenty of iPod storage, and the ability to share our Spotify playlists with all our social network friends, we can be as eclectic as we wanna be — but as it turns out, we’re still creatures of habit at heart. Much as we might like to brag about shuffle mode taking us from Anthrax to Coltrane to Britney Spears (post-ironically enjoyed, of course), deep down, we want to know which slot each of those artists fits into. When bands are genuinely eclectic, it scares us a little. We want to know, as Faith No More once shouted, “What is it?”

Enter Ashton Allen, Devin Moore, Emma Jean Branch, and Yara — a.k.a. Rabbit!, the resolutely adorable indie-pop quartet whose last full-length release, Connect the Dots, was a family favorite here at Dadnabbit HQ (my review is here). The band didn’t market the album as a “kids’ music” release, and as far as I knew, they weren’t a “kids’ music” band — which is why, the first time I listened to their new release, Go For It, I had no idea anything was different about Rabbit! this time around. (Dirty Dadnabbit secret: I tend not to read press releases.)

But something is different. And nothing is different, actually. Wait, let me explain: Without exactly seeming to mean to do it, Rabbit! has bounded into the kindiesphere with the same cheerful abandon that’s always made their music so sweetly addictive — and they’ve done it without really making a kids’ album at all. Where most artists court the family scene by adjusting their sound, Rabbit! has watched the scene come to them. These are songs equally enjoyable by toddlers, tweens, parents, and non-breeding indie-pop hipsters. It’s really pretty impressive, and I wanted to talk to Rabbit! co-founder Ashton Allen about the band’s journey. Continue reading →

A Conversation with Trout Fishing in America

For more than three decades now, Keith Grimwood and Ezra Idlet — otherwise known as Trout Fishing in America — have entertained audiences of all ages with their artfully seasoned blend of roots rock, traditional folk, and anything else they decide to stuff in their musical grab bag. As longtime fans know, it’s a mixture that lends itself naturally to family music — the band has been releasing CDs for kids alongside their “regular” albums since the early ’90s.

With the release of the first Trout Fishing in America book/CD combo, My Name Is Chicken Joe, in 2009, Grimwood and Idlet seem to have started a whole new franchise for themselves. Chicken Joe, the farm-dwelling cat who sleeps in a henhouse, has returned with a new adventure: Chicken Joe Forgets Something Important, which bundles an album of brand new family tunes alongside another beautifully illustrated hardcover book. It’s a really lovely package, and to welcome Chicken Joe back to our shelves, we knew we had to talk to Keith and Ezra about the project.

Happy new release day! What kind of response are you seeing so far?

Keith: So far, it’s been fun. We just put out this little video thing that came out on YouTube and stuff, and it’s doing really well.

Ezra: The local station came out and filmed piece on us earlier this week — that was pretty nice, too.

Chicken Joe Forgets Something Important features more new songs than the last book, right?

Ezra: Absolutely. From beginning to end, the songs were written with the story in mind — and we also wrote the story by narrating and taking on different characters, which was a lot of fun. It was territory we had never explored before.

Keith: We’re working on doing it as a performance piece, where we read it by becoming the characters. As we read it, we play the music in the background, and we take on those characters. We’re going to be doing it as part of the kids’ show, which should be a lot of fun. Continue reading →

A Conversation with Key Wilde

We’re big fans of Key Wilde and Mr. Clarke around here — I gave an enthusiastic thumbs up to their debut full-length, Rise and Shine, which has been in heavy rotation in our car for the last year and a half.

Key and Clarke are back with a new six-song EP, Hey Pepito!, which was all the excuse I needed to get Key on the phone for a conversation about their uniquely exuberant brand of children’s music. Read on — and then sample Pepito! via the widget at the bottom of the post.

First of all, I have to tell you that because of my son and his intense love of your music, I’ve had to hear “Rattling Can” at least once a week for over a year.

[Laughs] So you have just a little bit of resentment.

Not as much as I would if it happened with just about any other song.

Yeah! It could be worse. I’ve had parents tell me “Thank goodness I actually like this stuff, because otherwise, it would drive me crazy.”

One of the things I really love about your music is its vibrant, honest energy. Plenty of kids’ music is uptempo, but it often feels forced, or just hyper.

You know, I started in this field for two main reasons: One, I had a new daughter, and I wasn’t staying out until 2 AM anymore, and two, I just wanted to hear some cool kids’ music. People had already told us at different points in the past that we’d be good at making family music, and we realized that all we really had to do was take out the swear words and we were ready to go. Continue reading →