Author Archives: Jeff Giles

About Jeff Giles

Jeff Giles is the founder and editor-in-chief of Popdose and Dadnabbit, as well as an entertainment writer whose work can be seen at Rotten Tomatoes, Paste Magazine, and a number of other sites.

CD Review: Mama Doni, “I Love Herring (& Other Fish Shticks for Kids)”

Mama Doni – I Love Herring & Other Fish Shticks for Kids (2008, Mama Doni)
purchase this album (Amazon)

Let me begin this review by saying that I think children’s music with a Jewish focus is a terrific idea. Speaking as someone who gets up to his pupik in holiday songs every year, the overall lack of explicitly Jewish modern American music is a sad, troublesome thing, and any album that nudges the scales in the other direction is a good thing in my book. Earphones. Whatever.

On the other hand, I am honestly and utterly uncertain what to make of Mama Doni and her debut CD, I Love Herring (& Other Fish Shticks for Kids). It’s a most…unusual album, and when you consider that I’ve listened to multiple full-length efforts from Wing this year, that’s saying a lot. Not to muddle the religious waters, but as I listened to this album, I was frequently reminded of an expression used by the Mormon girls I knew in high school to signify surprise, befuddlement, and fear:

Oh…my…heck.

Here’s the deal: Mama Doni, also known as Doni Zasloff Thomas, has arranged 16 eclectic songs here, all of them relating in some way to Jewish…well, culture, I guess, but when you’re talking about songs with titles like “Bubbie’s Tupperware,” in which a gefilte fish named Shlomo is taken as a pet to show & tell, you have to understand that the emphasis is on its irreverent aspects.

Which is fine, really, but Mama Doni either really likes her morning (and afternoon, and evening) coffee, or she’s just naturally bursting with the kind of energy that drives a person to pose on the back cover of an album as a cowgirl with a shofar horn (“Jewish Cowgirl,” “Sportin’ My Kippah”), a wannabe Rastafarian (“Bagel Time,” “Shvitzin'”) and a floppy hat-wearing middle-aged woman (“Oy Yoy Yodel”). It’s a comedy album, sort of, but the humor is very over the top, and about as subtle as spoiled borscht.

Still, if you can handle Mama Doni’s relentless mugging, I Love Herring isn’t a bad record at all. It definitely fills a void in the marketplace, all the songs are written and performed well, and the production values are high. We’re still talking about an album that includes songs such as “Jewperheroes,” “Mensch Appeal,” and “Fahklempt,” but hey — maybe that’s just the sort of music you’ve been looking for. To sample some of Mama Doni’s wares (including her new holiday EP, I Love Chanukah!), visit her at her official site.

DVD Review: “Readeez Volume One”

Billing itself as “brain fruit” that will help your kids “giggle and grin as the knowledge sneaks in,” the Readeez series of animated educational DVDs has just kicked off with its first volume. If you have young children, and are the type of parent who tries to avoid exposing your kids to the fast-paced, commercial-laden shows on channels like Nickelodeon, Readeez may be right up your alley.

The setup is simple: Each Readee consists of roughly a one-minute short, most of them featuring the animated duo of Julian Waters (voiced by Readeez creator Michael Rachap) and his daughter Isabel, whose sparsely drawn, gently paced interactions form the backbone of the series. As Julian and Isabel interact, their dialogue is displayed on the screen in large, clear type, helping — in theory, anyway — kids form connections between what they hear and what they read.

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That’s the educational hook behind Readeez (and the genesis of its title), but since the series is aimed at kids 18 months and up — and any 18-month-old who can read quickly moving text on a screen is working in a government lab somewhere, not fooling around with DVDs for kids — it functions on other levels, too. My daughter is three, and is just beginning to put together words on the fridge with her letter magnets; she can’t read anything Julian and Isabel are saying, but she’s still requested Readeez on multiple occasions, because she loves the songs they sing, has a toddler’s inordinate fondness for anything animated, and the segments are the perfect length for a young attention span.

Children’s programming has come a long way since the days when Sesame Street was struggling to compete with the sugar-frosted Saturday morning cartoons we all remember so fondly, but even among the new wave of gentler, smarter kids’ entertainment, Readeez is something special. Here at our house, we’re lucky enough to have both the commercial-free Noggin channel and a spare TiVo that we can load up with our daughter’s favorite shows, which include Wonder Pets!, Backyardigans, and Zoboomafoo — but even those shows sometimes dabble in real-world concepts that might give you a bit of a headache. Readeez, on the other hand, is the perfect blend of educational content and entertaining, heartwarming escapism — the kind of thing you can legitimately feel good about your children watching. Here’s a song that I’ve heard Sophie singing repeatedly over the last couple of weeks:

See? Isn’t that nice? Learn more, watch more, and buy your own copy at the Readeez website.

CD Review: ScribbleMonster, “Songs with No Character”

ScribbleMonster – Songs with No Character (ScribbleSongs, 2008) purchase this album (CD Baby)

Boasting “more musical variety than a classic K-Tel record,” Chicago’s ScribbleMonster — guitarist and singer James Dague, drummer Brett Goral, bassist Brian Hufnagl, and vocalists Jayne Sniat and Joyce Stuart — dispenses with the goofy character voices (sorry, ScribbleCharacter voices) for its just-released third album, the appropriately titled Songs with No Character. Having never listened to any of the band’s other work, I can’t vouch for how it holds up against previous releases, but as a stand-alone collection, this 14-song CD does everything you want a kids’ album to do — namely, make the little ones happy while reinforcing a positive life lesson or two.

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As is the case with most albums that go over 10 songs, Songs with No Character can get a little dodgy in spots, a problem that can be traced in this case to the band’s efforts to cover an array of genres and styles in an effort to reach parents as effectively at kids. To their credit, they do manage to hit their targets more often than not — “With a Smile,” for example, is pure loveliness, and the kind of hopeful, happy music you can listen to with your kids all day long — but tracks like “Scratchy Records” and “No Good Can Ever Come of a Sleepover” are more likely to provoke shrugs than laughing or dancing.

Still, all in all, Songs with No Character does an excellent job of giving different age groups something to listen to — sometimes within the same song, as with the chunky rockers “I’m a Utility Pole (The World’s Worst Dance Song)” and “Spare the Rock, Spoil the Child” — and deserves space on your shelf alongside fun-for-the-family titles from bigger names like Dan Zanes, Barenaked Ladies, and They Might Be Giants. In fact, if I hadn’t received it too late for my 2008 Fids and Kamily ballot, I’d have included it among my nominees for children’s album of the year.

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