Monthly Archives: October 2008

Product Review: Fortamajig and Connectables

We live in cynical times, my friends — times in which we’ve sadly grown accustomed to the folly of trusting in the word of our public institutions. Whatever a corporation or a piece of legislation tries to tell us it is, we’ve learned to quickly expect the opposite. Clear Skies Initiative? Please. Best Buy? Not hardly.

But there’s one name you can trust, and I’m going to give it to you now. Are you ready? Here it is.

The Happy Kid Company.

Sounds ridiculous, right? Like the name of the company that the skeevy toy salesman played by Dan Aykroyd in the old SNL skit might have worked for? I know, I know. But hear me out, because I have real, empirical proof behind my claim. Check it out: The Happy Kid Company sent me its two flagship products, the Fortamajig and Connectables, and after taking them out of their bags and using them, I now have a happy kid. No — a very happy kid.

Just what is a Fortamajig, you want to know? I’m glad you asked. Observe:

Okay, so maybe that picture doesn’t do this colorful bag of awesome total justice. Maybe some extra explanation is in order, so let me try to explain. According to the official Happy Kid Company marketing materials, it’s “an 8×8 foot square of durable nylon ripstop,” which doesn’t really sound like all that much fun, except for the fact that they’ve added a mesh window and approximately 400 velcro loop tabs, so you can attach it to pretty much anything and make an instant fort.

Seriously — instant. Well, maybe not literally instant, but in less than 10 minutes, you can go from sadly fortless to 100% Fortamajigged, even if you’ve never so much tried to say the word “Fortamajig” before. When I opened the box, I had my doubts; I wasn’t sure what to do with the Fortamajig, or how the Connectables related to it.

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But once you unfurl that thing, you’re halfway to Happy Kid paradise.

Oh, and about the Connectables — as you may have guessed, they’re nylon squares and rectangles, equipped with the same velcro loop tabs as the Fortamajig, used for expanding and connecting it with various wall hangings, doorknobs, and pieces of furniture.

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To wit:

As toys go, they’re stupidly simple — which is why they’re so cool. I realize I’m sounding over-the-top positive with this writeup, but hand on heart, I’m totally sincere; this is a product you spend a few minutes assembling, and literally hours enjoying with your kids — and it’s versatile enough to use countless times before they get tired of it.

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Seconds after it went up — actually, even before we were done figuring out where we were going to attach all the loops — my three-year-old was curled up underneath the Fortamajig, pretending she was a guinea pig underneath the night sky, and my 11-month-old was crawling around at top speed, squealing like a maniac, with a face full of joy. If you have kids, or know kids, these make fine gifts…

…Except for the fact that, together, they cost around $160. Now, given what the time and materials would cost you to build something similar, and the endless replay value, I don’t think that’s too much to pay for these, but still, a certain amount of sticker shock is understandable, and the price does make it sort of unlikely that you’re going to be giving these as gifts to anyone outside your immediate family unless you’re in the McCain tax bracket. But if you can afford it, and if you’re tired of your kids taking the couch cushions and leaving them stacked on the living room floor, or you’re looking for a way to distract them from pestering you about building them a treehouse — or if you’re just looking for something that’ll make your young ones go nuts with happiness — then you’ve found the products you seek. They’re kid-tested, Dadnabbit approved.

Book/CD Review: Jett Beres, “Starfish: A Bedtime Story”

Well, I learned the hard way that you have to read press materials sometimes. In the case of the children’s book and accompanying lullaby CD by Sister Hazel’s Jett Beres, Starfish: A Bedtime Story, you have to read the press release and note from Beres on the back of the book before attempting to read the book to your kid. Unless of course you’ve followed Sister Hazel more closely than I have.

Anyway, I tried reading this book to my one-year old son Jonathan last night, and he promptly threw it on the ground, demanding a pretzel or some ice-cream instead.

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So my wife let me try it again this afternoon before Jonathan’s nap.

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I put in the lullaby CD, which is all instrumental, and began reading the book to Jonathan. He was sort of paying attention, but not enamored like he is with books such as Goodnight Moon or Five Little Monkeys. And as I was reading to him, the words didn’t seem to make sense. “I saw a starfish on the ground/He was half buried in the sand/Just so out of place…and ahhhhhhhh/He was a long, long way from home.” Nice enough, but what was the “ahhhhhhh” for? And then the words kept repeating themselves on the pages that followed.

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And more ahhhhhhh’s. Huh? So it’s about a dude that meets a starfish and has a nice time with said starfish. And the illustrations by Sean Kelley are really well-done. But I didn’t get it, and you can bet Jonathan surely didn’t get it.

Then a funny thing happened. I read the press release and the notes on the back from Beres, and found out that “Starfish” is a Sister Hazel song, one that Beres wrote about the loneliness of being on the road back in the mid ’90’s, but that came more into focus for him when he had two kids of his own. The words in the book are the lyrics to the song. Ahhhhhhhhhh. Now it makes sense. So I downloaded the song, and then listened again to the instrumental versions of it–a lullaby, a string arrangement and a classical guitar take. Suddenly it all came together for me, the dumbass dad.

The moral of the story is this….if you don’t know what you’re getting into, read the damn press release. If I knew the song, or knew the sentiment, I might have approached it differently. But I still think Jonathan throws the book on the ground.

CD Review: Debbie and Friends, “Story Songs and Sing Alongs”

Debbie and Friends – Story Songs and Sing Alongs (2007, Debbie Cavalier Music)
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As any parent of a young child (or, God forbid, multiple young children) can tell you between exhausted sobbing fits, the kids are the bosses of the house. It’s a dirty secret that “grown-up” artists like They Might Be Giants and Barenaked Ladies have just started figuring out — no doubt partly thanks to having kids of their own — but the brave men and women who have committed their careers to making music for tots have known it for years; in fact, they rely on it to make a living. Take that little jerk Raffi, for instance — how many dads, do you think, fantasized about knocking his teeth out the first time they heard “Baby Beluga”? But they couldn’t, because kids looooooooove Raffi.

Yes, children are tyrants, and once they latch onto a television show, movie, or piece of music, Mom and Dad are going to listen to it repeatedly, whether they like it or not. Of course, getting the tykes to do the latching requires a certain level of commitment on the performer’s part — he or she may need to climb into a purple dinosaur suit, or introduce himself at cocktail parties as “the yellow Wiggle.” Or, in Debbie Cavalier’s case, strap on a phony Southern accent and pretend to talk to a horse.

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(This isn’t anything Toby Keith doesn’t do on any given afternoon, but still: commitment.)

Cavalier’s debut CD, Story Songs and Sing Alongs, comes 20 years into a distinguished career that has included over 100 music education method books and arrangements — not to mention a long-running association with her alma mater, the Berklee College of Music, where she currently serves as the Dean of Continuing Education. She may look like a cartoon on the cover of the album, but she clearly isn’t fooling around; each of these songs boasts full-bodied arrangements and a large backing band, and Story Songs‘ press kit claims it’ll be “a toss-up as to who will shout ‘AGAIN!’ the loudest: you or your child.

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Truthfully, Debbie will probably come up snake eyes on that roll in your household, but Story Songs and Sing Alongs is a children’s album definitely not lacking in charm. It falls squarely on the cutesy-poo end of the spectrum, and you will almost definitely catch yourself doing some eye-rolling at certain points (such as the aforementioned pretend-horse-talking), but this album hasn’t won a slew of honors (including the 2008 iParenting Media Award and Parents’ Choice Approved Award) for nothing; Cavalier covers a broad range of topics, framing them within the fairytales kids everywhere know and love, and wraps everything in slick, sitcom-theme-ready performances and production. The album’s sort of a throwback to the days when “children’s music” was synonymous with “pandering,” but it isn’t so saccharine enough to keep you from singing along — and by the end, when she pulls out all the stops for “Love Is a Family,” including an out-of-nowhere rock guitar solo and an over-emoting choir, you will know what it means to drown in cheese and love it.

Perhaps the album’s ultimate endorsement comes from Bob McGrath of Sesame Street, who says “I wish someone had written songs like this when I was a kid!” Of course, when Bob was a kid, minstrels were lugging lutes and harpsichords between feudal villages, but his point is well-taken — my daughter sat rapt in front of the stereo for a good half hour while Story Songs and Sing Alongs played, studiously perusing the booklet (even though she can’t read). It’s smartly written, it’s fun, and it’s miles better than stupid old Raffi. You may not love it like your little ones, but the smiles on their faces (particularly when songs like “I’m Not Tired” come on) should more than make up for it.